As hard hitting death metal continues to evolve as an entity outside of death metal orthodoxy, Peeling Body comes as the epitome of hip-hop and slam’s weirdness. The proliferation of streetwear, grills, and designs is nothing new at slam, but this fivesome from Oklahoma set out to prove one thing.Slam is gangsta rap“.
They certainly rock like gangstas, dropping over 30 tracks in just three years.But the release Slamaholics Vol became a real turning point where Peeling Body packed their sample-laden beats in a way that sounded miles ahead of the crowd.In a world where rap/metal crossovers can be just as awesome Candiriaor as lost Vanilla ice creamthese guys have carved out a niche of chromatic riffs, toilet vocals, and thuggery to that end. Code G essentially chooses where Slamaholics abandoned with sticky grooves, choice samples and life-ending battle riffs of the heaviest order.
Before the cops turn up, let’s confirm this Peeling Body A “true slam” is not of the purest standard.All the hallmarks are there, like Damontel Harrisvocals (usually sounding like a broken dishwasher), snare drums that sound like dodgeballs and a power chord muffled in an almighty palm, but the outside influences are easy to spot.
For example, the first breakdown in “Intro” owes a lot to old-school “Deathcore”, and the tremolos in “Shoot 2 Kill” are a cardinal sin for a truly insufferable slamoholic.But does it really matter if? music beat ass These guys know how to make music for people getting physically assaulted and the fact that it’s loaded with shredded samples from gangsta rap legends like are EA-SKI only serves to set them apart from the sea of generic shaggers Doubling down on underground hip-hop aesthetics and musical flavors, Peeling Flesh channel that cavernous energy into booty-shaking territory.
Speaking of underground hip-hop, Peeling Body didn’t try to collaborate with a hot ticket artist, bringing in a local cat instead DJ MRD: provide fatal scratches on the Perc 3000. The result is what everyone wanted spinners to do with heavy music. Maybe it’s because he knows how to navigate the genre better than other DJs, but maybe it’s because his beats are just different. His work on the atmospheric interlude “FULL OF LEAD” matches the grime of slams, to the point that this begs for a full tape.More importantly, it flows perfectly into the beats, blasts and trebles of SKIN BLUNT. It just shows Peeling Body not so much trying combine slam with rap. They just evenand it brings both genres to unconventional regions of awesomeness.
Crossing over to slam metal and beatdown hardcore more and more often, Peeling Body is sure to attract the toughest people in the game Tim Laut From the brawls of Great Britain Cold hard truth. It’s about as obscure as expected, as Laut brings that pub-rat swagger to the battle riffs. But like a good hip-hop artist, Peeling Body doesn’t let their collaborations overshadow their deadly delivery.
The fact that you can just as easily imagine HxC tough guys committing mob murder for “barbarism” as you would drinking Eurotrash while inexplicably doing the Macarena to obscene extremes is enough to say. Michael Soto and: Jason Parrish write riffs for slammers of all stripes, due Joe Pelleter’s flawless grooves. Even slam haters have to admit this stuff is catchy. Perhaps this groove skill explains why it blends so well with samples and loops.
in mixtape form, Peeling Body doesn’t shy away from varying song lengths, from the one-minute “The Fuckening” to the five-minute title track, this album never loses momentum Andrew Lomastro (Brain incubation) to bring his trademark toilet vocals to the former was a stroke of genius, as was the catch A despised icondynamic duo of Alex: and: Steve: for the latter. Embodying pure slam and percussive death respectively, they show just how versatile the band can be in this form if they know what they’re doing.
To that end, “CREEPIN OUT THE CUT” brings the crowd-pleasing mosh parts in tandem with the gravitas, both dirty and tight Matt Way stand? no Does his vocals hit the spot.As much as the ominous synths and rap cadences that pop up on the track, this band has it down to a science and certainly knows how far to push its boundaries while maintaining its savage core.
“Kill your pet dog/ this section 8It’s just as fun as the other sentence samples (no less than the “N***a Turtles” dub), and that’s really what makes G Code great from “INTRO” to “OUTRO.” Peeling Flesh- is having fun and it shows that this group set out to have a great time combining the hardest beats and absolutely delivers the new face of slam, then the genre is much needed.